The basic plot is very simple really. Meg Blunt desperately wants to get pregnant. However, her husband, Charlie, has a low sperm count and, although being what we lovingly call here in Australia “a right sexy bastard”, is unable to oblige in a meaningful way. Meg has, of course, tried everything. But everything. The biological clock is relentlessly ticking away, so a despairing sense of urgency prevails. In desperation, Meg turns to her friend, Kantella, and begs her to lend her Hayden, her husband. Now, let it be understood that Kantella Draycott is a very serious-minded individual. Kantella has everything she wants: a husband who is the CEO of an international firm, an executive home in an executive suburb here in Brisbane, and two adorable adolescent daughters. Hayden is also Charlie’s boss. That does, I suppose, tend to complicate things a little. But Meg, naturally enough seizes on this fact and decides that Hayden would be just the person (“bloke” here in Oz) to render her fertile. But, I’m afraid, I digress. I was telling you about Kantella. As I have just said, she is a serious-minded individual and, normally, wouldn’t permit her friend’s outrageous request to sully the calm tranquility of her somewhat inflexible mind. However, there was this incident in the past… …one which she has never told anyone about. Not even her best friend, Meg. And that complicates things somewhat. It causes her to make decisions which, perhaps, she might not otherwise have entertained. But Kantella isn’t the only one with a secret agenda. There are, it seems, several skeletons rattling away in closets all over the place. And it is the inadvertent bringing of some of these to light which alters the fabric of the tangled web these “Four Ordinary People” weave around them, changing their lives, and those of the ones they love for ever. The ending isn’t at all what was hoped for, but all is not lost, even though many things will never be quite the same again. |