Kosmoautikon
Chill Collected Zoologies (Book Four)
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In Chill Collected Zoologies, Mark Chandos continues with volume four of America’s modern epic poem. Having built the RingWorld on the moons of Jupiter, Aaron, the leader of 30 American spaceships, gives his life for the sake of new advanced human race, Homo faustus. One son, Cheda, the first Homo faustus is in a defensive postion on Callisto, since the repicant humans seek to eradicate the new human genome. His human son, Terry, selected to be the prophet of the new mankind reveals the origins of human life. Terry is led by strange creatures through caves, where he discovers that human mind does not come from Earth. Human consciousness originates from the dragon-like creatures able to move across dimensions. They have taken sanctuary in our blood stream, hiding in the DNA spirals. Chandos shows that this information was already known to ancient civilizations and their ancient epic texts. MARK CHANDOS is America’s epic poet and philosopher. Witnessing the collapse of traditional Western civilization, Chandos recovers the highest Western concepts and embodies them in a new linguistic codex. He believes that there will be no recovery of Western literature until there is a new language of the Western achievement. Deeply studied in history and philosophy of the Ancient world, Chandos reexamines ancient mythologies showing that they have always been misinterpreted. He believes that only our generation is able to understand the real meaning of the combined narrative of all epic literature, from Gilgamesh to Homer, from Egyptian myth to Greek myth. In his essay, A New Theory of Poetry, Chandos shows there is a linguistic schism in American society (between scientific and vernacular speakers. He demonstrates that epic poetry is essentially a prophetic vehicle and formulates the idiom of consciousness. He makes a race for supremacy. Why should the reader Read the KOSMOAUTIKON Epic Cycle? One. 1) KOSMOAUTIKON has information of the long count of the Human Condition. No other work of American literature observes the ancient origins of the human genome. No other poem projects the force of the strong poet into a Space faring civilization. Only the KOSMOAUTIKON contains the long count of human civilization. Two. 2) KOSMOAUTIKON does not repeat any modernist clichés. Modernism can only detect modernism. Modern literature can only regurgitate modernist linguistic codices – a fascination with disease, medical mythos, and the omnipotence of laboratory science. KOSMOAUTIKON accuses the madness of this modernist experiment. Instead, KOSMOAUTIKON detects the astral position of the human mind. A story is told that places man in a position of power in relation to the universe. Modernism makes treats men and parasites. In story Theory man is the center of all things, since only the human has a terra- forming mind. Three. 3) KOSMOAUTIKON creates a new linguistic codex to project a new advance in the human Genome. A new linguistic structure must always prepare the way for any human advance. “I had to remove your planet – and then your bones.” Four. 4) KOSMOAUTIKON tells the story of Rogue males. Who are our rogue males? Alexander, Christ, Cesar, Dante, Michelangelo, Leonardo Da Vinci, Caravaggio, Henry VIII, Edward De Vere (Shake-speare), Beethoven, Francis bacon, Oscar Wilde (the list is long). The point? Western civilization has been made by dangerous rogue males. No other modern text would even dare to discuss the power of the rogue male. Where else will the reader find the truth? Modernism seeks to inoculate, medicate, or incarcerate the rogue male – early. Yet what is the truth? There will be rogues makes again – and they will change the human genome. This is the story of KOSMOAUTIKON Five. 5) There is no other document that contains future speech. No Western person can be educated without first reading KOSMOAUTIKON. It does not matter your opinion of poetry or the poet. You have to deal with it. Most googled favorite lines from KOSMOAUTIKON: 1) We had to remove your planet – then your bones. 2) Observe my second sweat condense the juice loving bark, my song recovered stitch all numbered kiss close fit . . . 3) . . . then fix my sleep at that beam all-speeding from glow emitting north, my eye abreast a lover's shard of light. 4) The cauldron planet still beaconed red Five…You will not miss the globular element of your fire-burned ancestors. 6) When you could not yourself believe. I made you diamond tablets of belief. When you yourself could not detect the sky, I wrote the sun for you each day new. When you by yourself were congealed as frost, I dipped your brittle mouth still blue and flaked. When you could not lift your hands yourself to count, I raised your arm to rage against the beats of breath. 7) When I smoke the bones of Western men the bodies cough and shudder with cold. Shivering, they ask for warmth. I know – your prior state was a hermetic chamber. I have placed you on a humid tile. Yet it is your new condition that chills you. 8) Let the poet delight the breath. Observe my second sweat condense the juice loving bark, my numbered text of human warmth on ageing cheek; my new-braise tongue all first tongues seek, my song recovered stitch all numbered kiss close fit, my fire-blistered rune, my wall-prophetic king, lover’s science, now charred and altered, now smoke and rising steam.
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About the Book
Why should you read the KOSMOAUTIKON Epic Cycle? 1) KOSMOAUTIKON has information of the long count of the Human Condition. No other work of American literature observes the ancient origins of the human genome. No other poem projects the force of the strong poet into a Space faring civilization. 2) KOSMOAUTIKON does not repeat any modernist clichés. Modernism can only detect modernism. Modern literature can only regurgitate modernist linguistic codices – a fascination with disease, medical mythos, and the omnipotence of laboratory science. KOSMOAUTIKON accuses the madness of this modernist experiment. Instead, KOSMOAUTIKON detects the astral position of the human mind. A story is told that places man in a position of power in relation to the universe. Modernism makes treats men and parasites. In story Theory man is the center of all things, since only the human has a terra- forming mind. 3) KOSMOAUTIKON creates a new linguistic codex to project a new advance in the human Genome. A new linguistic structure must always prepare the way for any human advance. “I had to remove your planet – and then your bones.” 4) KOSMOAUTIKON tells the story of Rogue males. Who are our rogue males? Alexander, Christ, Cesar, Dante, Michelangelo, Leonardo Da Vinci, Caravaggio, Henry VIII, Edward De Vere (Shake-speare), Beethoven, Francis bacon, Oscar Wilde (etc.). Western civilization has been made by rogue males. No other modern text would even dare to discuss the power of the rogue male. Modernism seeks to inoculate, medicate, or incarcerate the rogue male – early. Yet there will be rogues makes again – and they will change the human genome. This is the story of KOSMOAUTIKON Five. 5) There is no other document that contains future speech. No Western person can be educated without first reading KOSMOAUTIKON. Most googled favorite lines from KOSMOAUTIKON: 1) We had to remove your planet – then your bones. 2) Observe my second sweat condense the juice loving bark, my song recovered stitch all numbered kiss close fit . . . 3) . . . then fix my sleep at that beam all-speeding from glow emitting north, my eye abreast a lover's shard of light. 4) The caldron planet still beaconed red 5)…You will not miss the globular element of your fire-burned ancestors. 6) When you could not yourself believe. I made you diamond tablets of belief. When you yourself could not detect the sky, I wrote the sun for you each day new. When you by yourself were congealed as frost, I dipped your brittle mouth still blue and flaked. When you could not lift your hands yourself to count, I raised your arm to rage against the beats of breath.
About the Author
Mark Chandos is a modern American Epic poet and philosopher. In Chill Collected Zoologies, Mark Chandos continues with volume four of America’s modern epic poem. Having built the RingWorld on the moons of Jupiter, Aaron, the leader of 30 American spaceships, gives his life for the sake of new advanced human race, Homo faustus. One son, Cheda, the first Homo faustus is in a defensive position on Callisto, since the replicant humans seek to eradicate the new human genome. His human son, Terry, selected to be the prophet of the new mankind reveals the origins of human life. Terry is led by strange creatures through caves, where he discovers that human mind does not come from Earth. Human consciousness originates from the dragon-like creatures able to move across dimensions. They have taken sanctuary in our blood stream, hiding in the DNA spirals. Chandos shows that this information was already known to ancient civilizations and their ancient epic texts. REVIEW OF BOOK: Greateness of American Language By J.Watkins, NJ I recently came across an amazing book. And it changes my whole view about American civilization and culture. In fact, American culture is as a hegemonic linguistic code is seldom discussed in the public forum. Any culture that comes in contact with American popular culture (and literature) is forever transformed. American music, fashion, technology, and political ideas instantaneously disintegrate the indigenous culture that makes contact with us. For good or ill, American literary influence is unmistakable and unstoppable. China, India, Japan, Russia, and Brazil shamelessly reproduce all the signature elements of Western Civilization. The American genre of science fiction is the medium by which the future is discussed and constructed. This America is permanently enshrined as the medium of the future. There can be no future that does not pass through the prism of the American idiom. That’s a powerful and privileged position to be in. Only Greece enjoyed a similar cultural supremacy. Chandos Ring, the title of the book, illustrates the central position of English (American) culture and language in the human achievement. At the same time the author shows that since poetry is the highest form of language in our civilization, the poetry itself is the highest achievement of the Western world. This is as much to say that our linguistic achievement directly determines our achievement in genetics, space exploration, social engineering, military strength, or even human reproduction. Mark Chandos corrects the misunderstanding of materialist civilization - and clearly presents the argument that poetry - as the evidence of our highest linguistic achievement - is central to any cultural or scientific progress. Science is thus a form of poetry. Science has verified this thesis as far as the highest concepts of modern science is phrased in poetic terms - as String Theory, the Event Horizon, Black Holes, quarks, quantum mechanics, etc. Each of these theoretical (and unprovable) concepts are forms of poetry - not materialistic science. In his book Mark Chandos proposes his new Theory of Poetry hoping to restore the high value of American poetry in modern overtly materialistic world. Just to illustrate you his theory, here are his main ideas: 1) Poetry must tell a narrative of power. Human consciousness operates only by story. Lyric poetry, that does not make narratives, in consequence, has failed to sustain the prestige of the human singularity: that is, poetry. 2) Future poets must manipulate the vernacular with strength sufficient to outclass the alternate poem of hegemonic science to create a new human mind. The common language must challenge the asserted superiority of the linguistics of math and physics. 3) The human mind must be addressed as operating on the astral plane. This perspective necessarily privileges the information of rela